The architectural scene in Kerala is going through a very
interesting and critical phase. Following the amazingly refined traditional
wooden architectural period, the architectural scene in the state meandered
meaninglessly following the collapse of the princely state system under the
administration of the British Empire. The architectural intervention of the
Britishers resulted in an eclectic mix of public architecture which manifested
most prominently in the Indo-Saracenic style of architecture. This, however,
was limited only to a few sporadic public buildings and did not extend into the
residential typologies. Following independence and subsequently, the formation
of the new state, there was a period when the architecture was influenced by the modernist movement happening across the world. This was further augmented by the easier access
to cement and concrete technology, resulting in the creation of a lot of concrete boxes. The waves of the modern architectural vocabulary of the
post-independence architectural experiments of Corbusier in Chandigarh and of
other practitioners in the rest of the country gradually began to wash over the
shores of Kerala and resulted in their translation into the residential
architecture of the state, but was limited mostly to the residences of the
rich. A lot of fanciful and interesting designs evolved during this period, but
soon fizzled out. Their appeal could not be transformed into a mass movement which affected the overall built environment, one in which the professional architect designed only a fraction of the building stock.
It was also a time when the nascent profession of
architecture began to take its initial steps in the state, struggling to
establish a meaningful presence in the local architectural scenario. This
struggle continued well into the start of the new millennium, aided by a slew
of factors – the lack of visionary and strong willed initial practitioners,
absence of visionary clients, failure to strike a chord with the masses,
absence of conceptual clarity and a unifying ideology. If in places like Ahmedabad
and Chandigarh, there was a clear direction forward vis-a-vis, defining a
modern architectural vocabulary for a new India, surprisingly, in Kerala, this
was completely missing. The zeal for a new direction and language was missing –
both among the practitioners and also among the academic circles, where the
quality of discourse was average at the best. Gradually our environment started to get clogged by meaningless concrete boxes without character, which weren't suited at all to our context and climate.
It was also the time when Laurie Baker made his mark in the
built environment with his unique designs. The inherent beauty and logic of his
designs caught the imagination of the common man, who went in for the ‘Baker
model’ homes, which were unique, sustainable and cost effective. That it took a
man like Baker, a supposed foreigner, to understand and frame the issues and to
work towards evolving an architecture which addressed these concerns, also
tells us of the lack of local architects with genuine empathy and
understanding. Thus, Baker created a remarkable body of work which were
timeless, which are relevant even today.
Following a phase of gradual consolidation, the
architectural profession in the state is now at a crossroad. We are presently in
a confused state of existence – unable to make up our minds whether to offer
continuity – off imagery, of form, of materials, of spatial planning and
functionality...or, to tangentially deviate into uncharted territories and
untrodden paths to define a new vocabulary, where the risk of committing errors
are greater, where the chance of being proven wrong are much higher...
This presently manifests in a language which borrows heavily
from both the past and the futuristic globalised forms, often creating hybrids
which are as confused as the viewer is of their state of being. It has also
resulted in architects following an imagery of globalisation without
necessarily having the conceptual depth and understanding, often ending up as
impoverished imitations.
However, out of this merging of old and new, sometimes works
of real value arise, works which are grounded in the present, taking cues from
the past, while looking forward to the future. Albeit rare, such spaces offers
hope – hope that the architectural profession is not done and dusted yet – that
there can be creative solutions for the issues we face today, that we as professionals
can rise up above mere commercial considerations.
A positive offshoot has been the improvement in the quality
of the academic discourse, where there is an infusion of younger blood and
ideas. The stagnation and depreciation in the standards of education in the
state has been gradually arrested. Yet,
only the downward spiral has been arrested as of now – there is a lot to be
done to grow up and evolve. This realisation that it is high time that the
standards of academic discourse has to rise has brought in a gradual change of
attitudes, a change of focus, which will only benefit the young minds growing
through this system. It is again a crucial period for the architectural
education scenario in the state, with plenty of new private colleges being
granted permission to start their intakes for the architecture course. A lot of
these colleges lack the basic infrastructure and lack educators who are of good
calibre, often settling for mediocrity just to get the course up and running.
The fact that this situation will adversely impact the minds of the children
learning there does not seem to matter for a lot of such institutions. The unforeseen
fact is that in a few years, there will be an abundance of half baked
professionals graduating from such institutions flooding the architectural
scene - graduates who are not at all fit for practising architecture,
ultimately dragging the profession even lower. This situation must be addressed
urgently by all concerned so that there is a dialogue on the way forward.
Another malady plaguing the architectural scenario in the
state is the lack of quality research done, both academically as well as by the
professionals in the field. This aversion to research has to be overcome for
meaningful solutions to emerge. In this age, research is crucial, for the
professors as well as the practitioners and is one way to bridge the chasm
between academics and practice.
Thus, architecture in Kerala is in a heightened state of
flux, where the opportunity to shape a better built environment clearly exists
and is one of the mandates that lies before the profession. This opportunity
must be delicately addressed to frame the issues, to open up more meaningful
exchanges and to ultimately evolve a relevant architecture vocabulary that
addresses the needs and aspirations of the people and to guide them forward as
stake holders in shaping up a better future environment.
