Went to Mananchira square to see ’Time Tides’, the 25-foot
tall sculptor installed by noted sculptor K.S.Radhakrishnan as part of the ‘Shilpa
Nagaram’ project. The centre of attraction in the composition is’ Musui’,
sculptor K.S.Radhakrishnan’s favourite muse. It was my first time inside
Mananchira and I must admit that it is a very interesting urban space, a
literal green lung of the city. Went straight to the statue placed in the
middle of the green open lawn. There were a few people loitering around the
installation, more curious and puzzled than appreciative. 2 huge granite
rectangular blocks of stones kept vertically act as a reference for Musui to
acrobatically suspend himself in air. Four additional massive boulders are
strewn around thse 2 vertical elements. It is almost a very random composition.
The blocks were placed in position recently and the fresh remains of earth are
visible on the surfaces of the granite.
There is an apparent weightlessness about Musui, a joy in
being unhindered, free, yet delicately poised. This lightlessness is contrasted
heavily with the massive granite boulders and their earthiness. The boulders
are scarred with straight deep cuts made during their excavation. Another contrast,
a comparison of Musui’s total freedom unaffected by the trials and troubles of
mundane life, refusing to bow down and be tied, remaining free as the air.
One apparent anamoly is that the sculpture and Musui takes
hold of you only when you are really close to it, almost right beneath it. Here,
the scale becomes massive and Musui’s delicate balancing act and apparent weightlessness
even more pronounced and surreal. When one is far away, the black form of Musui
is almost unfathomable among the dark green foliage behind. Maybe it will be
different when the sun is out and it is not cloudy like when I visited it.
I was standing back and observing how ordinary people reacted
to such public art and installations. For most people, it was something
curious, something maybe even puzzling, something which they try to find
meaning and most often being too lazy to use their grey cells they wander off
ignoring it. Some people try hard to analyse it and find meaning, seeing it
from different angles, searching and interpreting. Here the installation serves
its real purpose, making people think and contemplate. However, for most
people, it is just a backdrop, something that merely exists.
This is where the real importance of urban public art lies. It
is right around us, in common places and in our day to day life. One doesn’t need
to go into an art gallery to experience it. Such art should make one think,
make one find and appreciate beauty, to contemplate and overall enrich our
lives. Sadly, we have been neglecting public art in our urban spaces to the
point that new art is almost non-existent. There is no effort to realise its
immense potential and to revive it in out urbanscapes. It is why such
initiatives like the Shilpa Nagaram project are extremely commendable and
relevant. 12 sculptures made by noted sculptors from across the country will be
installed at key locations in Calicut city as part of this project, and
hopefully will lead to an increased focus and appreciation of arts.
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